The Color Difference Key effect
creates transparency from opposite starting points by dividing an
image into two mattes, Matte Partial A and Matte Partial B. Matte
Partial B bases the transparency on the specified key color, and
Matte Partial A bases transparency on areas of the image that don’t
contain a second, different color. By combining the two mattes into
a third matte, called the alpha
matte,
the Color Difference Key creates well-defined transparency values.
The
Color Difference Key produces high-quality keying for all well-lit
footage items shot against a bluescreen or greenscreen and works
especially well with images that contain transparent or semitransparent
areas, such as smoke, shadows, or glass.
This effect works with 8-bpc and 16-bpc color.
-
Select the layer you want to make transparent,
and then choose Effect > Keying > Color
Difference Key.
Note:
To use
any of the eyedroppers in the Layer panel, choose Color Difference
Key from the View menu in the Layer panel.
- In the Effect Controls panel, choose Matte Corrected
from the View menu. To view and compare the source image, both partial
mattes, and the final matte at the same time, choose [A, B, Matte]
Corrected, Final from the View menu. Other views available in the
View menu are described in step 10.
- Select the appropriate key color: To key out a bluescreen,
use the default blue color. To key out a nonblue screen, select
a key color in one of the following ways:
-
Thumbnail eyedropper: Select and then click
in the Composition panel or the original thumbnail image on an appropriate
area.
-
Key Color eyedropper: Select and then click in the
Composition or Layer panel on an appropriate area.
-
Key Color swatch: Click to select a color from the
specified color space.
Note: The eyedropper tools move the sliders
accordingly. Use the sliders in step 9 to fine-tune the keying results.
- Click the
matte
button to display the final combined matte in the matte thumbnail.
- Select the Black eyedropper, and then click inside the
matte thumbnail on the lightest area of black to specify transparent
regions. The transparency values in the thumbnail and Composition
panel are adjusted.
- Select the White eyedropper, and then click inside the
matte thumbnail on the darkest area of white to specify opaque regions.
The opaque values in the thumbnail and the Composition panel are
adjusted.

To produce the best possible key, make
the black and white areas as different as you can so that the image
retains as many shades of gray as possible.
- Select a matching accuracy from the Color Matching Accuracy
menu. Choose Faster unless you use a screen that isn’t a primary
color (red, blue, or yellow). For those screens, choose More Accurate,
which increases rendering time but produces better results.
- If you need to further adjust transparency values, repeat
steps 5 and 6 for one or both of the partial mattes. Click the Partial
Matte B button or the Partial Matte A button to select a partial
matte, and then repeat the steps.
- Adjust transparency values for each partial matte and
for the final matte by dragging one or more of the following sliders
in the Matte Controls section:
-
Black sliders adjust the transparency levels
of each matte. You can adjust the same levels using the Black eyedropper.
-
White sliders adjust the opaque levels of each matte.
You can adjust the same levels using the White eyedropper.
-
Gamma sliders control how closely the transparency
values follow a linear progression. At a value of 1 (the default),
the progression is linear. Other values produce nonlinear progressions
for particular adjustments or visual effects.
- When adjusting individual mattes, choose from the View
menu to compare the mattes with and without adjustments:
- Before closing the Effect Controls panel, select Final
Output from the View menu. Final Output must be selected for After
Effects to render the transparency.

To remove traces of reflected key color
from the image, apply Spill Suppressor using Better For Color Accuracy.
If the image still has a lot of color, apply the Simple Choker or
Matte Choker effect.