$Page Control Surface Reference $TargetName Control Surface Reference This reference details all of Live's *natively-supported* MIDI control surfaces, and the *Instant Mappings* which Live uses to communicate with them. If you're new to control surfaces, you should begin by reading $Link this short overview . If you're already familiar with Live's Instant Mappings, you can jump directly to the controller-specific pages using the links below. If your control surface isn't included in this list, you'll want to learn how to create $Link *manual mappings* . Manual mappings are useful even when using natively-supported control surfaces because they can override the Instant Mappings used by those devices. This reference ends with a $Link detailed list of every device parameter's distribution across control surface banks. *Natively-Supported Control Surfaces:* -> $Link APC20 (Akai) -> $Link APC40 (Akai) -> $Link APC40 MkII (Akai) -> $Link APC Key 25 (Akai) -> $Link APC mini (Akai) -> $Link Axiom series (M-Audio) -> $Link Axiom (2nd gen) (M-Audio) -> $Link Axiom AIR 25, 49, and 61 (M-Audio) -> $Link Axiom AIR Mini 32 (M-Audio) -> $Link Axiom Pro series (M-Audio) -> $Link BCF2000 and $Link BCR2000 (Behringer) -> $Link DBeat (Open Labs) -> $Link Faderfox (1st Generation) (Faderfox) -> $Link Faderfox (2nd Generation) (Faderfox) -> $Link FireOne (Tascam) -> $Link Impulse (Novation) -> $Link KeyFadr and KeyPad (Reloop) -> $Link Keystation Pro 88 (M-Audio) -> $Link KONTROL 49 and $Link microKontrol (Korg) -> $Link Launch Control (Novation) -> $Link Launchkey (Novation) -> $Link Launchkey Mini (Novation) -> $Link Launchpad (Novation) -> $Link Mackie Control and $Link Mackie Control XT (Mackie) -> $Link MidAir 25 (M-Audio) -> $Link MiKo (Open Labs) -> $Link MPD18 (Akai) -> $Link MPD24 (Akai) -> $Link MPD32 (Akai) -> $Link MPK25 (Akai) -> $Link MPK49, 61 and 88 (Akai) -> $Link NeKo (Open Labs) -> $Link O2 (M-Audio) -> $Link Oxygen series (M-Audio) -> $Link Oxygen 3rd Gen series (M-Audio) -> $Link Ozone and $Link Ozonic (M-Audio) -> $Link padKONTROL (Korg) -> $Link Photon 25 and $Link Photon X 25 (Alesis) -> $Link ProjectMix IO (M-Audio) -> $Link Remote SL series (Novation) -> $Link Tranzport (Frontier Design Group) -> $Link Trigger Finger (M-Audio) -> $Link UC 33e (Evolution) -> $Link VCM-600 (Vestax) -> $Link ZERO8 (Korg) Divider.tif *Note:* Before you can use your control surfaces, you'll need to make sure that they are properly connected and set up. Please see the $Link Connecting MIDI Controllers lesson for help with configuration. $Comment ----------------------------------------------------------------------- $Page Instant Mappings $TargetName Instant Mappings Instant Mappings are available for many MIDI controllers. These natively-supported controllers share a common approach to interfacing, even when the supported features vary due to hardware limitations. -> $Link *Device Control :* The parameters of instruments and effects can be controlled via your MIDI controller. This feature will save you from the agony of adjusting each parameter with your mouse. -> $Link *Mixer Control :* Controllers with appropriate configurations of faders, knobs and buttons can manage Live's mixer. -> $Link *Transport Control :* Some control surfaces are able to control Live's transport functions. -> $Link *Pad Control :* Certain control surfaces with pads can automatically update to control the visible set of pads in Live's *Drum Rack.* $Comment ----------------------------------------------------------------------- $Page Device Control $TargetName Device Control Control of an instrument or effect's sound can be critical to your work. However, refining parameters with a mouse can be tedious. As an antidote, Ableton has developed Instant Mappings that allow easy access to device parameters through control surfaces. Most natively-supported control surfaces feature at least one set of eight knobs or encoders. These controls are instantly mapped to the parameters of whichever device is currently selected. Encoders.png Divider.tif *Tip:* If you'd like to control a specific device independently of selection, you can $Link *lock* your control surface to that device. Divider.tif To allow access to more than eight parameters, we've divided the parameters of each device into banks, with related parameters grouped into the same bank (e.g., filter parameters). Since many current controllers don't feature graphic displays which indicate the mapped parameters, this helps improve your workflow. Switching banks is done with either two (previous/next bank) or eight buttons (one button per bank), depending on the controller's hardware configuration. When changing banks, Live's Status Bar will list the control surface, device and the bank as shown below: StatusBarBankChange.png Some controllers don't feature enough buttons for bank switching. In this case, we provide a "Best-of" bank for each instrument and effect. Divider.tif *Note:* You can find an overview of the banks for all of Live's instruments and effects $Link here . $Comment ----------------------------------------------------------------------- $Page Mixer Control $TargetName Mixer Control Crafting a proper mix is essential to music production, but again, the mouse is an inadequate tool for managing track signals dynamically. The Instant Mappings available for Live's mixer improve the situation greatly. MIDI controllers with appropriate faders can adjust the levels of multiple audio and MIDI tracks simultaneously. Sliders.png If a controller features an extra, dedicated fader, it will be assigned to the mixer's *Master Volume.* Controllers featuring a complementary set of buttons will use them to arm tracks for recording. Pressing an arm button will also select its track and any contained instrument. Any additional sets of knobs, encoders or sliders are assigned to track *Send Amounts.* $Comment ----------------------------------------------------------------------- $Page Transport Control $TargetName Transport Control If you like to play along with your songs or record new tracks during playback, you've probably found that it isn't very convenient to have to switch to the mouse to start and stop recording and playback. Some controllers are equipped with transport buttons which address this problem: Transport.png The Instant Mappings for transport buttons cover the following functions: -> *Play:* Start or re-start playback. -> *Stop:* Stop playback, or return to the start of the song if playback is stopped. -> *Fast Forward:* Advance the song position by one bar (and continue doing so if the button is held). -> *Rewind:* Set the song position back one bar (and continue doing so if the button is held). -> *Record:* Toggle Live's *Global Record* button. -> *Loop:* Toggle Live's *Loop* switch. $Comment ----------------------------------------------------------------------- $Page Pad Control $TargetName Pad Control Certain hardware devices with drum pads will automatically update to control the visible set of pads in a *Drum Rack.* DrumPads.png If your controller is supported, simply select it as a control surface in the Link/Tempo/MIDI tab of Live's Preferences. From then on, as long as you have a Drum Rack on a track that's receiving MIDI, your pad controller will update automatically if you scroll to different pads in the Drum Rack's pad overview. The following controllers support this functionality: -> $Link Axiom series (M-Audio) -> $Link Axiom (2nd gen) (M-Audio) -> $Link Axiom AIR 25, 49, and 61 (M-Audio) -> $Link Axiom AIR Mini 32 (M-Audio) -> $Link Axiom Pro series (M-Audio) -> $Link DBeat (Open Labs) -> $Link KeyFadr and KeyPad (Reloop) -> $Link Launchpad (Novation) -> $Link MiKo (Open Labs) -> $Link MPD18 (Akai) -> $Link MPD24 (Akai) -> $Link MPD32 (Akai) -> $Link MPK25 (Akai) -> $Link MPK49, 61 and 88 (Akai) -> $Link NeKo (Open Labs) -> $Link padKONTROL (Korg) -> $Link Remote SL series (Novation) -> $Link Trigger Finger (M-Audio) Divider.tif *Note:* For more information about Drum Racks, see the "Instrument, Drum and Effect Racks" chapter in the reference manual. $Comment ----------------------------------------------------------------------- $Page M-Audio Axiom Series $TargetName M-Audio Axiom Series AxiomSliders.png 1: Track volumes 2: Master Volume 3: Arm tracks 4: Toggle Lock AxiomControls.png 5: Device parameters 6: Transport Divider.tif *Notes:* The Axiom 25 is not equipped with the slider section shown in the first picture. We also provide the classic Axiom support which was first introduced in Live 5.2.2. For more detailed information about configuring and working with an *Axiom* control surface, please follow $Link this lesson . $Comment ----------------------------------------------------------------------- $Page Axiom AIR 25, 49, and 61 $TargetName Axiom AIR 25, 49, and 61 AxiomAirPads.png Press the "H" (HyperControl) button to the right of the pads to trigger Drum Racks. Press the MIDI/Bank button to use the pads with manual mappings, on the second (non-Control Surface) port. AxiomAirTransport.png Transport controls (stop, play, global record). In Session View, the Loop button launches the selected scene, while the Rewind and Fast Forward buttons move between scenes. In the Arrangement, Loop toggles the Arrangement loop on or off, while Rewind and Fast Forward move the Arrangement insert marker. AxiomAirKnobs.png The buttons to the left of the knobs switch between modes that determine the functionality of the knobs: -> MIDI/Bank: knobs send on the second (non-Control Surface) port, for use with manual mappings -> Inst/FX: control parameters of the currently selected device -> Mix: control mix parameters. Pressing Mix toggles between three sub-modes: Volume: control the volumes of the currently selected bank of tracks. Encoder LEDs will be amber. Pan: control the pans of the currently selected bank of tracks. Encoder LEDs will be red. Send: control Send A amount of the currently selected bank of tracks. Encoder LEDs will be green. AxiomAirArrows.png The arrow buttons change functionality based on the mode selected by the Inst/FX and Track buttons: -> Inst/FX: the down/up arrows select the previous/next device on the currently selected track. The left/right arrows select the previous/next bank of device parameters. The center button toggles the selected device on or off. -> Track: the down/up arrows select the previous/next track. The left/right arrows select the previous/next bank of eight tracks. The center button toggles record arm for the currently selected track. AxiomAir4961Faders.png The Axiom AIR 49 and 61 have nine faders with corresponding buttons, whose modes are switched by the three buttons to the left of the faders. (The ninth fader always controls master volume.) -> MIDI/Bank: faders send on the second (non-Control Surface) port, for use with manual mappings -> Inst/FX: control parameters of the currently selected device -> Mix: control volumes of the currently selected bank of tracks. The Select Track button to the left of the fader buttons toggles between four submodes for these buttons: Track Select: buttons select the track. Mute On/Off: buttons toggle track activation. Solo On/Off: buttons toggle track solo. Record On/Off: buttons toggle the record arm state of the track. AxiomAir25Fader.png The Axiom AIR 25 has one fader that controls the volume of the selected track. The fader's button toggles between Mute, Solo and Record-arming of the selected track, as determined by the button below it. Additional notes: -> If Output Sync is enabled for the Axiom AIR in Live's $Link Link/Tempo/MIDI Preferences , the controller's Tempo button will flash in sync with Live's tempo. -> Pressing and holding the Identify button while adjusting a knob or fader will show the current parameter's name without changing its value. $Comment ----------------------------------------------------------------------- $Page M-Audio Axiom AIR Mini 32 $TargetName Axiom AIR Mini 32 AxiomAir32MiniPads.png The pads trigger Drum Racks. The Pad Bank button controls which eight pads are triggered. Pad Bank 1 plays the lower two rows of visible pads, while Pad Bank 2 plays the upper two rows. AxiomAir32MiniTransport.png Transport controls (stop, play, global record). AxiomAir32MiniKnobs.png The "H" (HyperControl) button to the left of the knobs switches between four modes that determine the functionality of the knobs: -> Volume: control the volumes of the currently selected bank of tracks -> Pan: control the pans of the currently selected bank of tracks -> Inst/FX: control parameters of the currently selected device -> Off: knobs send on the second (non-Control Surface) port, for use with manual mappings AxiomAir32MiniArrows.png The arrow buttons change functionality based on the mode selected by the HyperControl button: -> Volume and Pan: the down/up arrows select the previous/next track. The left/right arrows select the previous/next bank of eight tracks. The center button toggles Track Arm for the currently selected track. -> Inst/FX: the down/up arrows select the previous/next device on the currently selected track. The left/right arrows select the previous/next bank of device parameters. The center button toggles the selected device on or off. $Comment ----------------------------------------------------------------------- $Page M-Audio Axiom Pro Series $TargetName M-Audio Axiom Pro Series AxiomPro.png For detailed information about configuring and working with an *Axiom Pro* control surface, please follow $Link this lesson . $Comment ----------------------------------------------------------------------- $Page M-Audio Axiom (2nd gen) $TargetName Axiom (2nd gen) Axiommk2Controller.png For detailed information about configuring and working with an *Axiom (2nd gen)* control surface, please follow $Link this lesson . $Comment ----------------------------------------------------------------------- $Page Behringer BCR2000 and BCF2000 $TargetName Behringer BCR2000 and BCF2000 BcrBcfUpperSection.png 1: Device parameters 2: Select Banks 1-8 3: Arm tracks BcfMiddleSection.png 4: Track volumes BcrBcfSideSection.png 5: Stop 6: Play 7: Record 8: Toggle Loop $Comment ----------------------------------------------------------------------- $Page M-Audio Keystation Pro 88 $TargetName M-Audio Keystation Pro 88 KeystationEncoders.png 1: Device parameters KeystationSliders.png 2: Track volumes 3: Master Volume $Comment ----------------------------------------------------------------------- $Page Korg KONTROL 49 and microKONTROL $TargetName Korg KONTROL 49 and microKONTROL KONTROLPads.png 1: Select Banks 1-8 KONTROLEncodersSliders.png 2: Device parameters 3: Track volumes $Comment ----------------------------------------------------------------------- $Page M-Audio Oxygen Series and MidAir 25 $TargetName M-Audio Oxygen Series and MidAir 25 OxygenEncoders.png 1: Device parameters 2: Transport $Comment ----------------------------------------------------------------------- $Page M-Audio O2, Ozone, and Ozonic $TargetName M-Audio O2, Ozone, and Ozonic OzonicKnobs.png 1: Device parameters OzonicSliders.png 2: Track volumes 3: Master Volume $Comment ----------------------------------------------------------------------- $Page Alesis Photon 25 and Photon X 25 $TargetName Alesis Photon 25 and Photon X 25 PhotonEncoders.png 1: Device parameters $Comment ----------------------------------------------------------------------- $Page Novation Remote SL Series $TargetName Novation Remote SL Series The support for Novation's Remote SL series was first introduced in Live 5. Therefore, it provides some additional functionality. RemoteSLDeviceSection.png 1: Next bank of device parameters 2: Previous bank of device parameters 3: Toggle Lock 4: Select previous scene 5: Select next scene 6: Launch selected scene 7: Stop all clips 8: Reset to default 9: Device parameters RemoteSLTrackSection.png 10: Track volumes | panning | Send A Amounts 11: Mute tracks 12: Arm tracks 13: Next 8 tracks (including Sends and Master) 14: Previous 8 tracks (including Sends and Master) 15: Slider Mode: Volume 16: Slider Mode: Panning 17: Slider Mode: Send A Amount 18: Transport $Comment ----------------------------------------------------------------------- $Page Frontier Design Group Tranzport $TargetName Frontier Design Group Tranzport Tranzport.png Frontier Design Group's Tranzport is a special-purpose controller for remote control of sequencer software. Because of this, Live features special support for this device. To learn more about controlling Live with your Tranzport, please have a look at Frontier Design Group's $Link website . $Comment ----------------------------------------------------------------------- $Page M-Audio Trigger Finger $TargetName M-Audio Trigger Finger TriggerFingerEncoders.png 1: Device parameters TriggerFingerSliders.png 2: Master Volume $Comment ----------------------------------------------------------------------- $Page Evolution UC 33e $TargetName Evolution UC 33e UC33Encoders.png 1: Device parameters 2: Track volumes 3: Master Volume $Comment ----------------------------------------------------------------------- $Page Mackie Control and M-Audio ProjectMix IO $TargetName Mackie Control and M-Audio ProjectMix IO Live also offers dedicated support for control surfaces complying to the Mackie Control standard, allowing for comprehensive mouse-free control of the program. Through the bi-directional connection between Live and the Mackie Control, any changes made in the program are reflected in the control surface, and vice versa. MackieControlHands.png $Comment ----------------------------------------------------------------------- $Page Tascam FireOne $TargetName Tascam FireOne TascamFireOne.png 1: Shift Key - holding this down enables additional functionality for the other controls 2: Toggle Arm (w/o Shift) or Mute (with Shift) of Tracks 1-8 3: Transport. Shift-Play continues playback. FF/Rwd (w/o Shift) jumps by one bar. FF/Rwd (with Shift) jumps by one beat. 4: The jog dial has different functions in Session and Arrangement Views: -> Session: Select Scene (w/o Shift) or Select Track (with Shift) -> Arrangement: Set playing position (w/o Shift) or Set tempo (with Shift) $Comment ----------------------------------------------------------------------- $Page Akai MPK49, 61 and 88 $TargetName Akai MPK49, 61 and 88 AkaiMpk49.png 1: Device parameters 2: Track volumes 3: Arm Tracks AkaiMpk49Transport.png 4: Transport $Comment ----------------------------------------------------------------------- $Page Korg padKONTROL $TargetName Korg padKONTROL KorgPadKontrol.png 1: Master Volume $Comment ----------------------------------------------------------------------- $Page Faderfox (1st Generation) $TargetName Faderfox (1st Generation) FaderfoxesG1.png To use the LV1 and LX1 controllers via the native support in Live, please mind the settings that can be found in the chapter 'Settings in the system mode' of the controllers' user manuals. Of particular importance is the correct choice of the internal setup - the LV1 uses setup 2. It is no longer necessary to use the provided Live Sets containing the different MIDI mappings; the native support in Live will automatically provide instant mappings. Furthermore, only one cable from the controller's output port to your MIDI interface's input port is necessary to set up the connection; a connection for feedback to the controller is not necessary. The following is a list of controller functions that differ from or add to the descriptions in the controllers' user manual: -> Automatically assigned scene and clip launch functions for the first 8 scenes and the first 8 clips of each track. Note: clip launch is only available in Trigger mode. -> Control of the "Best-of" bank of parameters for the selected device via the encoders in the Pot groups 'FX3' and 'FX4'. -> You can control the parameters of the last EQ-Eight device in the selected track via the alternative Track group by pressing Shift and the Pot buttons. The device does not need to be selected. -> The Joystick controls the X/Y-parameters of the selected device in the Pot group 'FX1' and 'FX2'. -> Switch between different views (i.e., Arrangement/Session or Track/Clip) with the two white buttons on the LV1 while holding the Shift button. You can, of course, change all assignments in Live's MIDI learn mode. $Comment ----------------------------------------------------------------------- $Page Faderfox (2nd Generation) $TargetName Faderfox (2nd Generation) FaderfoxesG2.png To use the LV2, LX2, LC2 and LD2 controllers via the native support in Live, please mind the settings that can be found in the chapter 'Settings in the system mode' of the controllers' user manuals. Of particular importance is the correct choice of the internal setup - the LV2, LC2 and LD2 use setup 2, while the LX2 uses setup 1. It is no longer necessary to use the provided Live Sets containing the different MIDI mappings; the native support in Live will automatically provide instant mappings. The following is a list of controller functions that differ from or add to the descriptions in the controllers' user manual: -> Automatically assigned scene and clip launch functions for the first 12 scenes and the first 12 clips of each track to the colored buttons in the key-modes 'Slot launch' and 'Scene launch'. Note: clip launch is only available in Trigger mode. -> Control of the "Best-of" bank of parameters for the selected device via the encoders in the Pot groups 'FX3' and 'FX4' on the LV2 and LC2, and the Pot group 'FXA' on the LD2. -> You can control the parameters of the last EQ-Eight device in the selected track via the EQ group. The device does not need to be selected. -> The Joystick controls the X/Y-parameters of the selected device in the Pot group 'FX1' or 'FX' respectively. -> Switch between different views (i.e., Arrangement/Session or Track/Clip) with the two Pot-ctrl buttons on the LV2 and LC2, or the encoder buttons of encoders 2 and 3 on the LD2 while holding the Shift button. 1-Track-Control needs to be selected. -> The encoder C button on the LV2 and LC2 in the main group can be used to show and hide the Track/Clip view. The same function can be accessed on the LD2 by pressing the encoder button on encoder 4 while holding the Shift button. -> At the moment, the control of clips is limited to the transpose parameter. Please assign other function manually if you need them. You can, of course, change all assignments in Live's MIDI learn mode. $Comment ----------------------------------------------------------------------- $Page Korg ZERO8 $TargetName Korg ZERO8 KorgZERO8A.png Each channel's fader and pan knobs control these track parameters, while the Ext1 and Ext2 knobs controls Send A and B. KorgZERO8B.png When Bank A is selected, the eight encoders are mapped to parameters for the selected device. Pressing an encoder switches to that bank number, so up to eight banks are available. $Comment ----------------------------------------------------------------------- $Page Akai MPD32 $TargetName Akai MPD32 AkaiMpd32.png The sliders and buttons control volume and track arming for the first eight tracks. AkaiMpd32Knobs.png The rotary controllers adjust device parameters in the "Best-of" bank. AkaiMpd32Transport.png Transport controls. *Note:* Control Bank A and Pad Bank A must be selected to use these functions. AkaiMpd32BankA.png $Comment ----------------------------------------------------------------------- $Page Akai MPD24 $TargetName Akai MPD24 AkaiMpd24Sliders.png 1: Track Volumes AkaiMpd24Encoders.png 2: Device Parameters $Comment ----------------------------------------------------------------------- $Page Vestax VCM-600 $TargetName Vestax VCM-600 VestaxChannelUpper.png Per-track controls 1: EQ controls (for EQ Eight or EQ Three) and kill switches (EQ Three only) 2: Track Activator and Solo buttons; Pan 3: Send A and B 4: Filter Frequency and Resonance (for Auto Filter or Live instruments with a filter, such as Operator or Analog) 5: Crossfade A/B assignment toggle, Clip/Device View selection 6: Stop currently playing clip, launch selected clip 7: Track volume VestaxMacros.png Knobs control device parameters, buttons select banks. VestaxReturnsMaster.png 1: Return Tracks A and B 2: Master track; buttons control Global Play and Record. 3: Crossfader VestaxGlobals.png 1: Track Bank switch (toggles between tracks 1-6 and 7-12) 2: Punch In/Out, Loop toggle 3: Tempo Nudge 4: Fine/Coarse tempo control 5: Scene selection (press to launch selected scene) $Comment ----------------------------------------------------------------------- $Page Akai APC40 $TargetName Akai APC40 APC40.png The *APC40* (Ableton Performance Controller) is a dedicated controller for Ableton Live, designed by the same engineering team responsible for Akai's iconic MPC range of products. The APC40 features high quality controls for real-time mixing, remixing and production. 109 buttons, 16 endless encoders with LED rings, nine 45mm faders and a replaceable crossfader give musicians and producers complete control of Live's Session View, effect devices and virtual instruments. Divider.tif Because this controller has so many control possibilities, we have written a $Link custom lesson to help you learn more about configuring and working with the APC40. Divider.tif $Comment ----------------------------------------------------------------------- $Page Akai APC40 MkII $TargetName Akai APC40 MkII APC40MkII.png The *APC40 MkII* (Ableton Performance Controller) is a dedicated controller for Ableton Live, designed by the same engineering team responsible for Akai's iconic MPC range of products. The APC40 MkII features high quality controls for real-time mixing, remixing and production. 109 buttons, 16 endless encoders with LED rings, nine 45mm faders and a replaceable crossfader give musicians and producers complete control of Live's Session View, effect devices and virtual instruments. Divider.tif Because this controller has so many control possibilities, we have written a $Link custom lesson to help you learn more about configuring and working with the APC40 MkII. Divider.tif $Comment ----------------------------------------------------------------------- $Page Akai APC Key 25 $TargetName Akai APC Key 25 APCKey25ClipLaunch.png Launch Session View clips. Hold the Shift button while pressing a launch button to select a clip without launching it. APCKey25TrackSelect.png Track buttons. Holding the Shift button while pressing one of the first four track buttons moves the Session Ring by one track or scene (up, down, left, or right). Holding the Shift button while pressing track buttons 5-8 changes the functionality of the eight encoders, as follows: -> Shift + Track 5: Volume (default). -> Shift + Track 6: Pan. -> Shift + Track 7: Sends (press the button multiple times to move through all available sends). -> Shift + Track 8: Parameters of the currently selected device. APCKey25SceneLaunch.png Launch Session View Scenes. Holding the Shift button while pressing the scene launch buttons changes the functionality of the track buttons: -> Shift + Scene Launch 1: Stop the playing clip in the track. (default). -> Shift + Scene Launch 2: Solo the track. -> Shift + Scene Launch 3: Record arm the track. -> Shift + Scene Launch 4: Mute the track. -> Shift + Scene Launch 5: Select the track. To see which mode the track and scene launch buttons are in, hold Shift without pressing another button. APCKey25Transport.png Play/Pause toggles the play button in Live's transport bar. Hold Shift while pressing Play/Pause to return Live's transport to 1.1.1 without starting playback. Record toggles Arrangement recording. $Comment ----------------------------------------------------------------------- $Page Akai APC mini $TargetName Akai APC mini APCminiClipLaunch.png Launch Session View clips. Hold the Shift button while pressing a launch button to select a clip without launching it. APCminiTrackSelect.png Track buttons. Holding the Shift button while pressing one of the first four track buttons moves the Session Ring by one track or scene (up, down, left, or right). Holding the Shift button while pressing track buttons 5-8 changes the functionality of the first eight faders, as follows: -> Shift + Track 5: Volume (default). -> Shift + Track 6: Pan. -> Shift + Track 7: Sends (press the button multiple times to move through all available sends). -> Shift + Track 8: Parameters of the currently selected device. Note: the ninth fader always controls the master volume. APCminiSceneLaunch.png Launch Session View Scenes. Holding the Shift button while pressing the first five scene launch buttons changes the functionality of the track buttons: -> Shift + Scene Launch 1: Stop the playing clip in the track. (default). -> Shift + Scene Launch 2: Solo the track. -> Shift + Scene Launch 3: Record arm the track. -> Shift + Scene Launch 4: Mute the track. -> Shift + Scene Launch 5: Select the track. Additionally, Shift + Scene Launch 8 stops all playing clips. To see which mode the track and scene launch buttons are in, hold Shift without pressing another button. $Comment ----------------------------------------------------------------------- $Page Akai MPK25 $TargetName Akai MPK25 MPK25.png 1: Device parameters (Bank A) 2: Track volumes (Bank A: Tracks 1-4; Bank B: Tracks 5-8) 3: Arm tracks (Bank A: Tracks 1-4; Bank B: Tracks 5-8) 4: Transport 5: Bank select $Comment ----------------------------------------------------------------------- $Page Akai MPD18 $TargetName Akai MPD18 MPD18.png 1: Drum Rack control 2: Master volume $Comment ----------------------------------------------------------------------- $Page Novation Launch Control $TargetName Novation Launch Control The Launch Control has three modes that offer Live-specific functionality. To select one of these modes, press and hold the Factory button, and then press one of the first three pads: LaunchControlModes.png *Mode 1: Mixer Control* By default, the top row of encoders controls Pan for the currently selected eight tracks, while the bottom row of encoders controls track volumes. Pressing the down arrow button causes the top row to control Send A and the bottom row to control Send B. Pressing the down arrow additional times cycles through additional available sends. The pads control track activators. The left and right arrows shift the track selection left or right by one track. *Mode 2: Launch Mode* The top row of encoders controls Pan, while the bottom row of encoders controls track volumes. The pads trigger clips in the currently selected scene for the selected tracks. The left and right arrows shift the track selection left or right by one track, while the up and down arrows shift to the previous or next scene. *Mode 3: Device Control Mode* The first four encoders in the top row control the first four parameters for the currently selected device, while the first four encoders in the bottom row control parameters 5-8. (The eight encoders on the right are unmapped.) The pads select the current bank of device parameters (if there is more than one bank available.) The left and right arrows select the previous or next track, while the up and down arrows switch the device selection to the previous or next device on the selected track. $Comment ----------------------------------------------------------------------- $Page Novation Launchkey $TargetName Novation Launchkey LaunchkeyTransport.png Transport controls. The left/right arrow keys are rewind/fast forward when working in the Arrangement View and previous/next scene in the Session View. The loop button toggles the Arrangement loop. LaunchkeyPads.png The upper row of pads launches the clips in the currently selected bank of tracks. The lower row represents the Track Stop buttons for the selected bank of tracks. The upper round button launches the selected scene, while the lower round button stops all clips. Press the button to the left to send on the second (non-Control Surface) port, for use with manual mappings. LaunchkeyEncoders.png The encoders control the parameters in the "Best-of" bank for the currently selected device. Press the button to the left to send on the second (non-Control Surface) port, for use with manual mappings. LaunchkeySlider25.png The Launchkey 25's fader controls the volume of the selected track. LaunchkeySlider4961.png The faders on the Launchkey 49 and 61 control the volumes of the selected bank of tracks, while the buttons below the faders toggle mute or solo, which can be switched by the button below the Master fader. The Master fader controls the volume of the master track. Press the middle button to the right of the faders to send on the second (non-Control Surface) port, for use with manual mappings. LaunchkeyTrackButtons.png Select the previous/next track. MIDI tracks are armed when selected. $Comment ----------------------------------------------------------------------- $Page Novation Launchkey Mini $TargetName Novation Launchkey Mini LaunchkeyMiniPads.png The upper row of pads launches the clips in the currently selected bank of tracks. The lower row represents the Track Stop buttons for the selected bank of tracks. The upper round button launches the selected scene, while the lower round button stops all clips. Press the button to the left to send on the second (non-Control Surface) port, for use with manual mappings. LaunchkeyMiniEncoders.png The encoders control the parameters in the "Best-of" bank for the currently selected device. Press the button to the left to send on the second (non-Control Surface) port, for use with manual mappings. LaunchkeyMiniTrackSceneButtons.png The Track buttons on the left select the previous/next track. MIDI tracks are armed when selected. The Up/Down buttons on the right select the previous/next scene. $Comment ----------------------------------------------------------------------- $Page Novation Launchpad $TargetName Novation Launchpad Launchpad.png The *Launchpad* is a dedicated controller for Ableton Live, co-designed by Ableton and Novation. Launchpad has 64 square-shaped pads and 16 round buttons, all of which are pre-configured to integrate perfectly with Live. Divider.tif To learn about configuring and working with the Launchpad, please have a look at Novation's $Link website . Divider.tif $Comment ----------------------------------------------------------------------- $Page Open Labs MiKo, NeKo and DBeat $TargetName Open Labs MiKo, NeKo and DBeat OpenLabsMixer.png 1: Volume, pan and track activators 2: Master volume 3: Device parameters 4: Previous/Next bank of tracks OpenLabsTransport.png 5: Transport controls 6: Undo 7: Redo OpenLabsCrossfader.png 8: Volume of the first 7 return tracks 9: Crossfader $Comment ----------------------------------------------------------------------- $Page M-Audio Oxygen 3rd Gen Series $TargetName M-Audio Oxygen 3rd Gen Series Oxygen3rdGenEncoders.png 1: Device parameters 2: Transport (In Session View, Loop launches the selected scene. Rewind/Fast Forward select previous/next scene.) Oxygen3rdGenTracks.png 3: Previous/Next track (Previous/Next bank of tracks when the C26 button is pressed) Oxygen3rdGenFaders.png 4: Volume for the bank of 8 selected tracks and Master (49 and 61-key models only) 5: Mute for the bank of 8 selected tracks. C26 = Solo (49 and 61-key models only) Pressing the C26 button causes the Previous/Next buttons to shift between banks of tracks Oxygen3rdGenMaster.png 6: Volume of the selected track (25-key model only) $Comment ----------------------------------------------------------------------- $Page Akai APC20 $TargetName Akai APC20 APC20.png The *APC20* (Ableton Performance Controller) is a dedicated controller for Ableton Live, designed by the same engineering team responsible for Akai's iconic MPC range of products. The APC20 features high quality controls for real-time mixing, remixing and production, and gives musicians and producers control of Live's Session View. Divider.tif Because this controller has so many control possibilities, we have written a $Link custom lesson to help you learn more about configuring and working with the APC20. Divider.tif $Comment ----------------------------------------------------------------------- $Page Novation Impulse $TargetName Novation Impulse NovationImpulseFaders.png 1: Track volumes (25-key model has a single fader which controls the volume of the selected track) 2: Track solos/activators 3: Bank select (with Shift pressed) NovationImpulseEncoders.png 4: Device parameters (in *Plugin* mode) or Pans (in *Mixer* mode). In Mixer mode, pressing Shift plus the Bank buttons changes the encoders to Sends A-D. (25-key model has a Volume bank in addition to Sends A-D) 5: Transport controls. In Session View, Fwd and Rwd select the next and previous scene respectively. Loop launches the selected scene. NovationImpulsePads.png 6: Drum pads. In *Clip Launch* mode, launch clips in the currently selected scene. The pads illuminate according to clip status: -> Unlit: no clip present -> Yellow: clip preset -> Green: clip playing/ready to play -> Red: clip recording/ready to record -> Flashing: awaiting the start of the next bar before acting on the last command NovationImpulseTranspose.png 7: Track up/down (with Shift pressed). If a MIDI track is selected, it is automatically armed for recording (unless another track is already recording). $Comment ----------------------------------------------------------------------- $Page Reloop KeyFadr and KeyPad $TargetName Reloop KeyFadr and KeyPad Press Shift to toggle between controlling tracks 1-8 and tracks 9-16. Hold Shift to enable additional functionality for certain controls. ReloopShiftScene.png ReloopTrackButtons.png 1: Track activator (with Shift held: launch clip in selected scene) 2: Track solo (with Shift held: track stop) 3: Record arm With Shift held, the third row of buttons changes as follows: -> 1: Set locator -> 2: Jump to previous locator -> 3: Jump to next locator -> 4: Toggle Arrangement loop -> 5: Tap Tempo -> 6: Toggle metronome -> 7: Tempo nudge down -> 8: Tempo nudge up ReloopFadersKnobs.png 4: Track pan (click encoder to select track) 5: Send A/B 6: Volume ReloopTransportControls.png Play, Stop, and Record (with Shift held: scene launch, stop all clips, toggle overdub) ReloopOctaveKeys.png Octave up/down (with Shift held: previous/next scene) ReloopDrumPads.png (KeyPad only) Drum Rack pads (note: the eight pads on the left correspond to the first eight Drum Rack cells, while the eight pads on the right correspond to cells 9-16.) $Comment ----------------------------------------------------------------------- $Page Device Parameter Mappings $TargetName Device Parameter Mappings On the following pages you will find an overview of the banks of device parameters for each of Live's devices. Devices with more than one bank also feature a "Best-of" bank for control surfaces that do not support bank switching. Devices in this section are grouped into three categories: -> $Link Instruments -> $Link MIDI Effects -> $Link Audio Effects $Comment ----------------------------------------------------------------------- $Page Instrument Mappings $TargetName Instrument Mappings *Analog* *Bank 1: Oscillators* Encoder 1: OSC 1 Level Encoder 2: OSC 1 Octave Encoder 3: OSC 1 Semi Encoder 4: OSC 1 Shape Encoder 5: OSC 2 Level Encoder 6: OSC 2 Octave Encoder 7: OSC 2 Semi Encoder 8: OSC 2 Shape *Bank 2: Filters* Encoder 1: F1/F2 Mix for OSC 1 Encoder 2: F1 Freq Encoder 3: F1 Reso Encoder 4: F1 Type Encoder 5: F1/F2 Mix for OSC 2 Encoder 6: F2 Freq Encoder 7: F2 Reso Encoder 8: F2 Type *Bank 3: Filter Envelopes* Encoder 1: F1 Attack Encoder 2: F1 Decay Encoder 3: F1 Sustain Encoder 4: F1 Release Encoder 5: F2 Attack Encoder 6: F2 Decay Encoder 7: F2 Sustain Encoder 8: F2 Release *Bank 4: Filter Modulation* Encoder 1: F1 On/Off Encoder 2: F1 Frequency < LFO1 Encoder 3: F1 Frequency < Env Encoder 4: F1 Resonance < LFO1 Encoder 5: F2 On/Off Encoder 6: F2 Frequency < LFO2 Encoder 7: F2 Frequency < Env Encoder 8: F2 Resonance < LFO2 *Bank 5: Volume Envelopes* Encoder 1: AMP1 Attack Encoder 2: AMP1 Decay Encoder 3: AMP1 Sustain Encoder 4: AMP1 Release Encoder 5: AMP2 Attack Encoder 6: AMP2 Decay Encoder 7: AMP2 Sustain Encoder 8: AMP2 Release *Bank 6: Mix* Encoder 1: AMP1 Level Encoder 2: AMP1 Pan Encoder 4: LFO1 Shape Encoder 5: LFO1 Rate Encoder 5: AMP2 Level Encoder 6: AMP2 Pan Encoder 7: LFO2 Level Encoder 8: LFO2 Rate *Bank 7: Output* Encoder 1: Volume Encoder 2: Noise On/Off Encoder 3: Noise Volume Encoder 4: Noise Color Encoder 5: Uni On/Off Encoder 6: Uni Detune Encoder 7: Vib On/Off Encoder 8: Vib Amount *Best-of Bank* Encoder 1: Filter 1 Frequency Encoder 2: Filter 1 Resonance Encoder 3: OSC1 Shape Encoder 4: OSC1 Octave Encoder 5: OSC2 Shape Encoder 6: OSC2 Octave Encoder 7: OSC2 Detune Encoder 8: Volume Divider.tif *Collision* *Bank 1: Mallet* Encoder 1: Mallet On/Off Encoder 2: Mallet Volume Encoder 3: Mallet Noise Amount Encoder 4: Mallet Stiffness Encoder 5: Mallet Noise Color *Bank 2: Noise* Encoder 1: Noise Volume Encoder 2: Noise Filter Type Encoder 3: Noise Filter Freq Encoder 4: Noise Filter Q Encoder 5: Noise Attack Encoder 6: Noise Decay Encoder 7: Noise Sustain Encoder 8: Noise Release *Bank 3: Resonator 1, Set A* Encoder 1: Res 1 Decay Encoder 2: Res 1 Material Encoder 3: Res 1 Type Encoder 4: Res 1 Quality Encoder 5: Res 1 Tune Encoder 6: Res 1 Fine Tune Encoder 7: Res 1 Pitch Env. Encoder 8: Res 1 Pitch Env. Time *Bank 4: Resonator 1, Set B* Encoder 1: Res 1 Listening L Encoder 2: Res 1 Listening R Encoder 3: Res 1 Hit Encoder 4: Res 1 Brightness Encoder 5: Res 1 Inharmonics Encoder 6: Res 1 Radius Encoder 7: Res 1 Opening Encoder 8: Res 1 Ratio *Bank 5: Resonator 2, Set A* Encoder 1: Res 2 Decay Encoder 2: Res 2 Material Encoder 3: Res 2 Type Encoder 4: Res 2 Quality Encoder 5: Res 2 Tune Encoder 6: Res 2 Fine Tune Encoder 7: Res 2 Pitch Env. Encoder 8: Res 2 Pitch Env. Time *Bank 6: Resonator 2, Set B* Encoder 1: Res 2 Listening L Encoder 2: Res 2 Listening R Encoder 3: Res 2 Hit Encoder 4: Res 2 Brightness Encoder 5: Res 2 Inharmonics Encoder 6: Res 2 Radius Encoder 7: Res 2 Opening Encoder 8: Res 2 Ratio *Best-of Bank* Encoder 1: Res 1 Brightness Encoder 2: Res 1 Type Encoder 3: Mallet Stiffness Encoder 4: Mallet Noise Amount Encoder 5: Res 1 Inharmonics Encoder 6: Res 1 Decay Encoder 7: Res 1 Tune Encoder 8: Volume Divider.tif *Electric* *Bank 1: Mallet and Tine* Encoder 1: Mallet Stiffness Encoder 2: Mallet Force Encoder 3: Noise Pitch Encoder 4: Noise Decay Encoder 5: Noise Level Encoder 6: Fork Tine Color Encoder 7: Fork Tine Decay Encoder 8: Fork Tine Level *Bank 2: Tone and Damper* Encoder 1: Fork Tone Decay Encoder 2: Fork Tone Level Encoder 3: Fork Release Encoder 4: Damper Tone Encoder 5: Damper Att/Rel Encoder 6: Damper Level *Bank 3: Pickup* Encoder 1: Symmetry Encoder 2: Distance Encoder 3: Input Encoder 4: Output Encoder 5: Pickup Type *Bank 4: Modulation* Encoder 1: Mallet Stiffness < Velocity Encoder 2: Mallet Stiffness < Key Encoder 3: Mallet Strength < Velocity Encoder 4: Mallet Strength < Key Encoder 5: Noise < Key Encoder 6: Fork Tine < Key Encoder 7: Pickup Output < Key *Bank 5: Global* Encoder 1: Volume Encoder 2: Polyphony Encoder 3: Semitone Encoder 4: Detune Encoder 5: Keyboard Stretch Encoder 6: Pitchbend Range *Best-of Bank* Encoder 1: Mallet Stiffness Encoder 2: Mallet Force Encoder 3: Noise Level Encoder 4: Fork Tine Level Encoder 5: Fork Tone Level Encoder 6: Fork Release Encoder 7: Symmetry Encoder 8: Volume Divider.tif *Impulse* *Banks 1-8: Pads 1-8* Encoder 1: Start Encoder 2: Transp (Transposition) Encoder 3: Stretch Encoder 4: Drive Encoder 5: Freq (Filter cutoff frequency) Encoder 6: Res (Filter resonance) Encoder 7: Pan Encoder 8: Pad Volume *Best-of Bank* Encoder 1: Global Time Encoder 2: Global Transpose Encoder 3: Transpose Pad 1 Encoder 4: Transpose Pad 2 Encoder 5: Transpose Pad 3 Encoder 6: Transpose Pad 4 Encoder 7: Transpose Pad 5 Encoder 8: Transpose Pad 6 Divider.tif *Operator* *Banks 1-4: Oscillators 1-4* Encoder 1: Attack Encoder 2: Decay Encoder 3: Sustain Encoder 4: Release Encoder 5: Coarse Encoder 6: Fine Encoder 7: Level Mod Wheel Amount Encoder 7: Vib Error Encoder 8: Global Volume *Bank 6: Filter* Encoder 1: Filter On/Off Encoder 2: Filter Type Encoder 3: Freq Encoder 4: Reso Encoder 5: Env < Cutoff Encoder 6: Cutoff < LFO Encoder 7: Env < Reso Encoder 8: Reso < LFO *Bank 7: Envelope and LFO* Encoder 1: Env On/Off $Comment Translation mark Tension Encoder 2: Attack $Comment Translation mark Tension Encoder 3: Decay $Comment Translation mark Tension Encoder 4: Sustain $Comment Translation mark Tension Encoder 5: Release Encoder 6: LFO On/Off Encoder 7: LFO Type Encoder 8: LFO Rate *Bank 8: Global* Encoder 1: Unison On/Off Encoder 2: Fine Tuning (Detune) Encoder 3: Portamento On/Off Encoder 4: Portamento Time Encoder 5: Voices (Polyphony) Encoder 6: Keyboard Octave Encoder 7: Keyboard Semitone Encoder 8: Global Volume *Best-of Bank* Encoder 1: Filter Frequency Encoder 2: Filter Resonance Encoder 3: Filter Type Encoder 4: Exciter Type Encoder 5: Exciter Position Encoder 6: String Decay Time Encoder 7: String Damping Amount Encoder 8: Global Volume Divider.tif *Wavetable* *Bank 1: Oscillator 1* Encoder 1: Osc 1 Transpose Encoder 2: Osc 1 Detune Encoder 3: Osc 1 Position Encoder 4: Osc 1 Effect 1 Encoder 5: Osc 1 Effect 2 Encoder 6: Osc 1 Pan Encoder 7: Osc 1 Gain Encoder 8: Osc 1 On *Bank 2: Oscillator 2* Encoder 1: Osc 2 Transpose Encoder 2: Osc 2 Detune Encoder 3: Osc 2 Position Encoder 4: Osc 2 Effect 1 Encoder 5: Osc 2 Effect 2 Encoder 6: Osc 2 Pan Encoder 7: Osc 2 Gain Encoder 8: Osc 2 On *Bank 3: Filter 1* Encoder 1: Filter 1 On Encoder 2: Filter 1 Frequency Encoder 3: Filter 1 Resonance Encoder 4: Filter 1 Drive Encoder 5: Filter 1 Type Encoder 6: Filter 1 Slope Encoder 7: Filter 1 LP/HP Encoder 8: Filter 1 BP/NO/Morph *Bank 4: Filter 2* Encoder 1: Filter 2 On Encoder 2: Filter 2 Frequency Encoder 3: Filter 2 Resonance Encoder 4: Filter 2 Drive Encoder 5: Filter 2 Type Encoder 6: Filter 2 Slope Encoder 7: Filter 2 LP/HP Encoder 8: Filter 2 BP/NO/Morph *Bank 5: Amp Envelope* Encoder 1: Amp Attack Encoder 2: Amp Decay Encoder 3: Amp Sustain Encoder 4: Amp Release Encoder 5: Amp A Slope Encoder 6: Amp D Slope Encoder 7: Amp R Slope Encoder 8: Amp Loop Mode *Bank 6: Envelope 2/3* Encoder 1: Env 2 Attack Encoder 2: Env 2 Decay Encoder 3: Env 2 Sustain Encoder 4: Env 2 Release Encoder 5: Env 3 Attack Encoder 6: Env 3 Decay Encoder 7: Env 3 Sustain Encoder 8: Env 3 Release *Bank 7: LFO 1/2* Encoder 1: LFO 1 Amount Encoder 2: LFO 1 Free Rate Encoder 3: LFO 1 Sync Rate Encoder 4: LFO 1 Sync Encoder 5: LFO 2 Amount Encoder 6: LFO 2 Free Rate Encoder 7: LFO 2 Sync Rate Encoder 8: LFO 2 Sync *Bank 8: Global* Encoder 1: Modulation Time Encoder 2: Modulation Amount Encoder 3: Unison Amount Encoder 4: Transpose Encoder 5: Glide Encoder 6: Sub Gain Encoder 7: Sub Transpose Encoder 8: Volume *Best-of Bank* Encoder 1: Osc 1 Position Encoder 2: Osc 1 Transpose Encoder 3: Osc 2 Position Encoder 4: Osc 2 Transpose Encoder 5: Filter 1 Frequency Encoder 6: Filter 1 Resonance Encoder 7: Modulation Amount Encoder 8: Volume $Comment ----------------------------------------------------------------------- $Page MIDI Effect Mappings $TargetName MIDI Effect Mappings *Arpeggiator* *Bank 1: Style* Encoder 1: Style Encoder 2: Groove Encoder 3: Offset Encoder 4: Synced Rate Encoder 5: Retrigger Mode Encoder 6: Retrigger Interval Encoder 7: Repeats Encoder 8: Gate *Bank 2: Pitch/Velocity* Encoder 1: Transpose Encoder 2: Transpose Key Encoder 3: Transpose Steps Encoder 4: Transpose Distance Encoder 5: Velocity Decay Encoder 6: Velocity Target Encoder 7: Velocity On/Off Encoder 8: Velocity Retrigger *Best-of Bank* Encoder 1: Sync Rate Encoder 2: Free Rate Encoder 3: Transpose Steps Encoder 4: Transpose Distance Encoder 5: Gate Encoder 6: Transpose Key Encoder 7: Velocity Decay Encoder 8: Velocity Target Divider.tif *Chord* *Bank 1: Shift* Encoder 1: Shift 1 Encoder 2: Shift 2 Encoder 3: Shift 3 Encoder 4: Shift 4 Encoder 5: Shift 5 Encoder 6: Shift 6 Encoder 7: not assigned Encoder 8: not assigned *Bank 2: Shift %* Encoder 1: Velocity % 1 Encoder 2: Velocity % 2 Encoder 3: Velocity % 3 Encoder 4: Velocity % 4 Encoder 5: Velocity % 5 Encoder 6: Velocity % 6 Encoder 7: not assigned Encoder 8: not assigned *Best-of Bank* Encoder 1: Shift 1 Encoder 2: Shift 2 Encoder 3: Shift 3 Encoder 4: Shift 4 Encoder 5: Shift 5 Encoder 6: Velocity 5 Encoder 7: Shift 6 Encoder 8: Velocity 6 Divider.tif *Note Length* Encoder 1: Sync On/Off Encoder 2: Length (Time Mode) Encoder 3: Length (Sync Mode) Encoder 4: Gate Encoder 5: Release Velocity Encoder 6: Decay Time Encoder 7: Key Scale Encoder 8: not assigned Divider.tif *Pitch* Encoder 1: Pitch Encoder 2: Range Encoder 3: Lowest Encoder 4: not assigned Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Random* Encoder 1: Chance Encoder 2: Choices Encoder 3: Scale Encoder 4: Sign Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Scale* Encoder 1: Base Encoder 2: Transpose Encoder 3: Range Encoder 4: Lowest Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Velocity* Encoder 1: Drive Encoder 2: Comp. (Compand) Encoder 3: Random Encoder 4: Mode Encoder 5: Out Hi Encoder 6: Out Low Encoder 7: Range Encoder 8: Lowest $Comment ----------------------------------------------------------------------- $Page Audio Effect Mappings $TargetName Audio Effect Mappings *Amp* *Bank 1:* Encoder 1: Amp Type Encoder 2: Bass Encoder 3: Middle Encoder 4: Treble Encoder 5: Presence Encoder 6: Gain Encoder 7: Volume Encoder 8: Dry/Wet *Bank 2:* Encoder 1: Dual/Mono *Best-of Bank* Encoder 1: Amp Type Encoder 2: Bass Encoder 3: Middle Encoder 4: Treble Encoder 5: Presence Encoder 6: Gain Encoder 7: Volume Encoder 8: Dry/Wet Divider.tif *Auto Filter* *Bank 1: Filter* Encoder 1: Frequency Encoder 2: Q Encoder 3: Attack Encoder 4: Release $Comment Translation mark Auto Filter Encoder 5: Envelope Amount Encoder 6: LFO Amount Encoder 7: LFO Rate Encoder 8: LFO Phase *Bank 2: Filter Extra* Encoder 1: Filter Type Encoder 2: LFO Quantize On Encoder 3: LFO Quantize Rate Encoder 4: LFO Stereo Mode Encoder 5: LFO Spin Encoder 6: LFO Sync Encoder 7: LFO Sync Rate Encoder 8: LFO Offset *Bank 3: Sidechain* Encoder 1: not assigned Encoder 2: not assigned Encoder 3: not assigned Encoder 4: not assigned Encoder 5: not assigned Encoder 6: External Sidechain On/Off Encoder 7: External/Internal Mix Encoder 8: External Gain *Best-of Bank* Encoder 1: Frequency Encoder 2: Q Encoder 3: Filter Type Encoder 4: Envelope Amount Encoder 5: LFO Amount Encoder 6: LFO Waveform Encoder 7: LFO Rate Encoder 8: LFO Phase Divider.tif *Auto Pan* Encoder 1: Frequency Encoder 2: Phase Encoder 3: Shape Encoder 4: Waveform Encoder 5: Sync Rate Encoder 6: Offset Encoder 7: Width (Random) Encoder 8: Amount Divider.tif *Beat Repeat* *Bank 1: Repeat Rate* Encoder 1: Interval Encoder 2: Offset Encoder 3: Grid Encoder 4: Variation Encoder 5: Filter Frequency Encoder 6: Filter Width Encoder 7: Volume Encoder 8: Decay *Bank 2: Gate/Pitch* Encoder 1: Chance Encoder 2: Gate Encoder 3: Pitch Encoder 4: Pitch Decay Encoder 5: Filter Frequency Encoder 6: Filter Width Encoder 7: Volume Encoder 8: Decay *Best-of Bank* Encoder 1: Grid Encoder 2: Interval Encoder 3: Offset Encoder 4: Gate Encoder 5: Pitch Encoder 6: Pitch Decay Encoder 7: Variation Encoder 8: Chance Divider.tif *Cabinet* Encoder 1: Cabinet Type Encoder 2: Mic Position Encoder 3: Mic Type Encoder 4: Dual/Mono Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: Dry/Wet Divider.tif *Chorus* Encoder 1: Mod Amount Encoder 2: Mod Rate Encoder 3: Delay 1 Time Encoder 4: Delay 1 HP Encoder 5: Delay 2 Time Encoder 6: Delay 2 Mode Encoder 7: Feedback Encoder 8: Dry/Wet Divider.tif *Compressor* *Bank 1: Compression* Encoder 1. Threshold Encoder 2. Ratio Encoder 3. Attack Encoder 4. Release Encoder 5. Auto Release On/Off Encoder 6. EF Mode Encoder 7. Knee Encoder 8. Model *Bank 2: Output* Encoder 1. Threshold Encoder 2. Expand Ratio Encoder 3. Lookahead Encoder 4. Sidechain Listen Encoder 5. External Gain Encoder 6. Makeup On/Off Encoder 7. Dry/Wet Encoder 8. Output Gain *Bank 3: Sidechain* Encoder 1. EQ On/Off Encoder 2. EQ Mode Encoder 3. EQ Frequency Encoder 4. EQ Q Encoder 5. EQ Gain Encoder 6: External Sidechain On/Off Encoder 7: External/Internal Mix Encoder 8: External Gain *Best-of Bank* Encoder 1. Threshold Encoder 2. Ratio Encoder 3. Attack Encoder 4. Release Encoder 5. Model Encoder 6. Knee Encoder 7. Dry/Wet Encoder 8. Output Gain Divider.tif *Corpus* *Bank 1: Amount* Encoder 1: Decay Encoder 2: Material Encoder 3: Mid Freq Encoder 4: Width Encoder 5: Bleed Encoder 6: Resonance Type Encoder 7: Gain Encoder 8: Dry/Wet *Bank 2: Body* Encoder 1: Listening L Encoder 2: Listening R Encoder 3: Hit Encoder 4: Brightness Encoder 5: Inharmonics Encoder 6: Radius Encoder 7: Opening Encoder 8: Ratio *Bank 3: Tune* Encoder 1: Resonance Type Encoder 2: Tune Encoder 3: Transpose Encoder 4: Fine Encoder 5: Spread Encoder 6: Resonator Quality Encoder 7: Note Off Encoder 8: Off Decay *Best-of Bank* Encoder 1: Brightness Encoder 2: Resonance Type Encoder 3: Material Encoder 4: Inharmonics Encoder 5: Decay Encoder 6: Ratio Encoder 7: Tune Encoder 8: Dry/Wet Divider.tif *Drum Buss* *Bank 1: Drive* Encoder 1: Drive Encoder 2: Drive Type Encoder 3: Transients Encoder 4: Crunch Encoder 5: Boom Frequency Encoder 6: Boom Amount Encoder 7: Boom Decay Encoder 8: Boom Audition *Bank 2: Gain* Encoder 1: Trim Encoder 2: Output Gain Encoder 3: Dry/Wet Encoder 4: Compressor On Encoder 5: Damping Frequency Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned *Best-of Bank* Encoder 1: Drive Encoder 2: Drive Type Encoder 3: Crunch Encoder 4: Boom Amount Encoder 5: Trim Encoder 6: Damping Frequency Encoder 7: Output Gain Encoder 8: Dry/Wet Divider.tif *Dynamic Tube* Encoder 1: Drive Encoder 2: Bias Encoder 3: Envelope Encoder 4: Tone Encoder 5: Attack Encoder 6: Release Encoder 7: Output Encoder 8: Dry/Wet Divider.tif *Echo* *Bank 1: Sync* Encoder 1: L Division Encoder 2: R Division Encoder 3: L Sync Mode Encoder 4: R Sync Mode Encoder 5: L 16th Encoder 6: R 16th Encoder 7: L Sync Encoder 8: R Sync *Bank 2: Time* Encoder 1: L Time Encoder 2: R Time Encoder 3: L Offset Encoder 4: R Offset Encoder 5: Link Encoder 6: Channel Mode Encoder 7: not assigned Encoder 8: not assigned *Bank 3: Gate/Ducking* Encoder 1: Gate On Encoder 2: Gate Threshold Encoder 3: Gate Release Encoder 4: Duck On Encoder 5: Duck Threshold Encoder 6: Duck Release Encoder 7: Modulation Envelope Mix Encoder 8: not assigned *Bank 4: Noise/Wobble* Encoder 1: Noise On Encoder 2: Noise Amount Encoder 3: Noise Morph Encoder 4: Wobble On Encoder 5: Wobble Amount Encoder 6: Wobble Morph Encoder 7: Repitch Encoder 8: not assigned *Bank 5: Gain* Encoder 1: Feedback Encoder 2: Feedback Invert Encoder 3: Input Gain Encoder 4: Output Gain Encoder 5: Clip Dry Encoder 6: Dry/Wet Encoder 7: not assigned Encoder 8: not assigned *Bank 6: Filter* Encoder 1: Filter On Encoder 2: HP Frequency Encoder 3: HP Resonance Encoder 4: LP Frequency Encoder 5: LP Resonance Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned *Bank 7: Reverb* Encoder 1: Reverb Level Encoder 2: Reverb Decay Encoder 3: Reverb Location Encoder 4: Stereo Width Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned *Bank 8: Modulation* Encoder 1: Modulation Waveform Encoder 2: Modulation Sync Encoder 3: Modulation Rate Encoder 4: Modulation Frequency Encoder 5: Modulation Phase Encoder 6: Delay < Modulation Encoder 7: Filter < Modulation Encoder 8: Modulation x4 *Best-of Bank* Encoder 1: L Division Encoder 2: R Division Encoder 3: L Time Encoder 4: R Time Encoder 5: Input Gain Encoder 6: Feedback Encoder 7: Stereo Width Encoder 8: Dry/Wet Divider.tif *EQ Eight* *Bank 1: Band On/Off* Encoder 1: EQ 1 On/Off Encoder 2: EQ 2 On/Off Encoder 3: EQ 3 On/Off Encoder 4: EQ 4 On/Off Encoder 5: EQ 5 On/Off Encoder 6: EQ 6 On/Off Encoder 7: EQ 7 On/Off Encoder 8: EQ 8 On/Off *Bank 2: Frequency* Encoder 1: Freq EQ 1 Encoder 2: Freq EQ 2 Encoder 3: Freq EQ 3 Encoder 4: Freq EQ 4 Encoder 5: Freq EQ 5 Encoder 6: Freq EQ 6 Encoder 7: Freq EQ 7 Encoder 8: Freq EQ 8 *Bank 3: Gain* Encoder 1: Gain EQ 1 Encoder 2: Gain EQ 2 Encoder 3: Gain EQ 3 Encoder 4: Gain EQ 4 Encoder 5: Gain EQ 5 Encoder 6: Gain EQ 6 Encoder 7: Gain EQ 7 Encoder 8: Gain EQ 8 *Bank 4: Resonance* Encoder 1: Res EQ 1 Encoder 2: Res EQ 2 Encoder 3: Res EQ 3 Encoder 4: Res EQ 4 Encoder 5: Res EQ 5 Encoder 6: Res EQ 6 Encoder 7: Res EQ 7 Encoder 8: Res EQ 8 *Bank 5: Filter Type* Encoder 1: Filter Type EQ 1 Encoder 2: Filter Type EQ 2 Encoder 3: Filter Type EQ 3 Encoder 4: Filter Type EQ 4 Encoder 5: Filter Type EQ 5 Encoder 6: Filter Type EQ 6 Encoder 7: Filter Type EQ 7 Encoder 8: Filter Type EQ 8 *Bank 6: Output* Encoder 1: Adaptive Q Encoder 2: not assigned Encoder 3: not assigned Encoder 4: not assigned Encoder 5: not assigned Encoder 6: not assigned Encoder 7: Scale Encoder 8: Output Gain *Bank 7: EQs 3-5* Encoder 1: Gain EQ 3 Encoder 2: Freq EQ 3 Encoder 3: Res EQ 3 Encoder 4: Gain EQ 4 Encoder 5: Freq EQ 4 Encoder 6: Res EQ 4 Encoder 7: Gain EQ 5 Encoder 8: Freq EQ 5 *Best-of Bank* Encoder 1: Freq EQ 1 Encoder 2: Gain EQ 1 Encoder 3: Freq EQ 2 Encoder 4: Gain EQ 2 Encoder 5: Freq EQ 3 Encoder 6: Gain EQ 3 Encoder 7: Freq EQ 4 Encoder 8: Gain EQ 4 Divider.tif *EQ Three* Encoder 1: Gain Low Encoder 2: Gain Mid Encoder 3: Gain High Encoder 4: Frequency Low Encoder 5: Low On/Off Encoder 6: Mid On/Off Encoder 7: Hi On/Off Encoder 8: Frequency Hi Divider.tif *Erosion* Encoder 1: Freq Encoder 2: Width Encoder 3: Mode Encoder 4: Amount Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Filter Delay* *Bank 1: Input L Filter* Encoder 1: Frequency Encoder 2: Resonance Encoder 3: Beat Delay Time Encoder 4: Beat Offset % Encoder 5: Feedback Encoder 6: Pan Encoder 7: Volume Encoder 8: Dry Volume *Bank 2: Input L+R Filter* Encoder 1: Frequency Encoder 2: Resonance Encoder 3: Beat Delay Time Encoder 4: Beat Offset % Encoder 5: Feedback Encoder 6: Pan Encoder 7: Volume Encoder 8: Dry Volume *Bank 3: Input R Filter* Encoder 1: Frequency Encoder 2: Resonance Encoder 3: Beat Delay Time Encoder 4: Beat Offset % Encoder 5: Feedback Encoder 6: Pan Encoder 7: Volume Encoder 8: Dry Volume *Best-of Bank* Encoder 1: Frequency L+R Encoder 2: Filter Width L+R Encoder 3: Beat Delay Time L+R Encoder 4: Feedback L+R Encoder 5: Volume L Encoder 6: Volume R Encoder 7: Volume L+R Encoder 8: Dry Volume Divider.tif *Flanger* *Bank 1: Frequency Controls* Encoder 1: High Pass Encoder 2: Dry/Wet Encoder 3: Delay Time Encoder 4: Feedback Encoder 5: Envelope Encoder 6: Attack Encoder 7: Release Encoder 8: not assigned *Bank 2: LFO/S&H* Encoder 1: Amount Encoder 2: Rate Encoder 3: Phase Encoder 4: Hz/Beat-time Encoder 5: Offset Encoder 6: Sync Rate Encoder 7: Width Encoder 8: Shape *Best-of Bank* Encoder 1: High Pass Encoder 2: Delay Time Encoder 3: LFO Frequency Encoder 4: LFO Sync Rate Encoder 5: LFO Amount Encoder 6: Envelope Encoder 7: Feedback Encoder 8: Dry/Wet Divider.tif *Frequency Shifter* Encoder 1: Coarse Encoder 2: Fine Encoder 3: Mode Encoder 4: Ring Mod Frequency Encoder 5: Drive On/Off Encoder 6: Drive Encoder 7: Wide Encoder 8: Dry/Wet Divider.tif *Gate* *Bank 1: Gate* Encoder 1: Threshold Encoder 2: Return Encoder 3: Flip On/Off Encoder 4: Lookahead Encoder 5: Attack Encoder 6: Hold Encoder 7: Release Encoder 8: Floor *Bank 2: Sidechain* Encoder 1: EQ on Encoder 2: EQ Mode Encoder 3: EQ Frequency Encoder 4: EQ Q Encoder 5: EQ Gain Encoder 6: External Sidechain On/Off Encoder 7: External/Internal Mix Encoder 8: External Gain Divider.tif *Glue Compressor* *Bank 1: Compression* Encoder 1: Threshold Encoder 2: Ratio Encoder 3: Attack Encoder 4: Release Encoder 5: Peak Clip On/Off Encoder 6: Range Encoder 7: Dry/Wet Encoder 8: Makeup *Bank 2: Sidechain* Encoder 1: EQ On Encoder 2: EQ Mode Encoder 3: EQ Frequency Encoder 4: EQ Q Encoder 5: EQ Gain Encoder 6: External Sidechain On/Off Encoder 7: External/Internal Mix Encoder 8: External Gain *Best-of Bank* Encoder 1: Threshold Encoder 2: Ratio Encoder 3: Attack Encoder 4: Release Encoder 5: Peak Clip On/Off Encoder 6: Range Encoder 7: Makeup Encoder 8: Dry/Wet Divider.tif *Grain Delay* Encoder 1: Frequency Encoder 2: Pitch Encoder 3: Delay Time Encoder 4: Beat Swing Encoder 5: Random Encoder 6: Spray Encoder 7: Feedback Encoder 8: Dry/Wet Divider.tif *Looper* Encoder 1: State Encoder 2: Speed Encoder 3: Reverse Encoder 4: Quantization Encoder 5: Monitor Encoder 6: Song Control Encoder 7: Tempo Control Encoder 8: Feedback Divider.tif *Multiband Dynamics* *Bank 1: Global Controls* Encoder 1: Output Gain Encoder 2: Amount Encoder 3: Time Scaling Encoder 4: Soft Knee On/Off Encoder 5: Peak/RMS Encoder 6: High On Encoder 7: Mid On Encoder 8: Low On *Bank 2: Low Band* Encoder 1: Pre Gain Low Encoder 2: Threshold Below Low Encoder 3: Ratio Below Low Encoder 4: Threshold Above Low Encoder 5: Ratio Above Low Encoder 6: Attack Low Encoder 7: Release Low Encoder 8: Post Gain Low *Bank 3: Mid Band* Encoder 1: Pre Gain Mid Encoder 2: Threshold Below Mid Encoder 3: Ratio Below Mid Encoder 4: Threshold Above Mid Encoder 5: Ratio Above Mid Encoder 6: Attack Mid Encoder 7: Release Mid Encoder 8: Post Gain Mid *Bank 4: High Band* Encoder 1: Pre Gain High Encoder 2: Threshold Below High Encoder 3: Ratio Below High Encoder 4: Threshold Above High Encoder 5: Ratio Above High Encoder 6: Attack High Encoder 7: Release High Encoder 8: Post Gain High *Bank 5: Split Frequencies* Encoder 1: Low/Mid Split Freq Encoder 2: Mid/High Split Freq Encoder 4: not assigned Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned *Bank 6: Sidechain* Encoder 1: not assigned Encoder 2: not assigned Encoder 4: not assigned Encoder 5: not assigned Encoder 6: External Sidechain On/Off Encoder 7: External/Internal Mix Encoder 8: External Gain *Best-of Bank* Encoder 1: Threshold Above Low Encoder 2: Ratio Above Low Encoder 3: Threshold Above Mid Encoder 4: Ratio Above Mid Encoder 5: Threshold Above High Encoder 6: Ratio Above High Encoder 7: Output Gain Encoder 8: Amount Divider.tif *Overdrive* Encoder 1: Filter Freq Encoder 2: Filter Width Encoder 3: Drive Encoder 4: Tone Encoder 5: Preserve Dynamics Encoder 6: not assigned Encoder 7: not assigned Encoder 8: Dry/Wet Divider.tif *Pedal* *Bank 1: General* Encoder 1: Type Encoder 2: Gain Encoder 3: Output Encoder 4: Bass Encoder 5: Mid Encoder 6: Treble Encoder 7: Sub Encoder 8: Dry/Wet *Bank 2: EQ* Encoder 1: Mid Frequency Encoder 2: not assigned Encoder 3: not assigned Encoder 4: not assigned Encoder 5: not assigned Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Phaser* *Bank 1: Frequency Controls* Encoder 1: Poles Encoder 2: Color Encoder 3: Dry/Wet Encoder 4: Frequency Encoder 5: Envelope Amount Encoder 6: Attack Encoder 7: Release Encoder 8: Feedback *Bank 2: LFO/S&H* Encoder 1: Amount Encoder 2: Rate (Hz) Encoder 3: Phase Encoder 4: Hz/Beat-time Encoder 5: Offset Encoder 6: Rate (Beat-time) Encoder 7: Spin Encoder 8: Shape *Best-of Bank* Encoder 1: Frequency Encoder 2: Feedback Encoder 3: Poles Encoder 4: Envelope Amount Encoder 5: Color Encoder 6: LFO Amount Encoder 7: LFO Rate (Hz) Encoder 8: Dry/Wet Divider.tif *Ping Pong Delay* Encoder 1: Frequency Encoder 2: Width Encoder 3: Time (ms) Encoder 4: Synced Delay Time (1-16) Encoder 5: Swing Encoder 6: Mode (Sync/Time) Encoder 7: Feedback Encoder 8: Dry/Wet Divider.tif *Redux* Encoder 1: Bit Reduction Encoder 2: Hard/Soft Encoder 3: Downsample Hard Encoder 4: Downsample Soft Encoder 5: Bit Reduction On Encoder 6: not assigned Encoder 7: not assigned Encoder 8: not assigned Divider.tif *Resonators* *Bank 1: General/Mode I* Encoder 1: Filter Frequency Encoder 2: Width Encoder 3: Global Gain Encoder 4: Dry/Wet Encoder 5: Decay Encoder 6: I Note Encoder 7: Color Encoder 8: I Gain *Bank 2: Mode II - V* Encoder 1: II Gain Encoder 2: III Gain Encoder 3: IV Gain Encoder 4: V Gain Encoder 5: II Pitch Encoder 6: III Pitch Encoder 7: IV Pitch Encoder 8: V Pitch *Best-of Bank* Encoder 1: Decay Encoder 2: I Note Encoder 3: II Pitch Encoder 4: III Pitch Encoder 5: IV Pitch Encoder 6: V Pitch Encoder 7: Global Gain Encoder 8: Dry/Wet Divider.tif *Reverb* *Bank 1: Reflections* Encoder 1: Filter Frequency Encoder 2: Filter Resonance Encoder 3: Predelay Encoder 4: Spin On/Off Encoder 5: Early Ref. Rate Encoder 6: Early Ref. Amount Encoder 7: Early Ref. Shape Encoder 8: Decay Time *Bank 2: Diffusion Network* Encoder 1: High Frequency Encoder 2: Low Frequency Encoder 3: Chorus Frequency Encoder 4: Density Encoder 5: High Shelf Gain Encoder 6: Low Shelf Gain Encoder 7: Chorus Amount Encoder 8: Scale *Bank 3: Global* Encoder 1: Decay Time Encoder 2: Freeze On/Off Encoder 3: Room Size Encoder 4: Stereo Image Encoder 5: Reflect Level Encoder 6: Diffuse Level Encoder 7: Dry/Wet Encoder 8: Quality *Best-of Bank* Encoder 1: Decay Time Encoder 2: Room Size Encoder 3: Predelay Encoder 4: In Frequency Encoder 5: Reflect Level Encoder 6: Diffuse Level Encoder 7: Stereo Image Encoder 8: Dry/Wet Divider.tif *Saturator* *Bank 1: General Controls* Encoder 1: Drive Encoder 2: Base Encoder 3: Frequency Encoder 4: Width Encoder 5: Depth Encoder 6: Output Encoder 7: Dry/Wet Encoder 8: Curve Type *Bank 2: Waveshaper Controls* Encoder 1: WS Drive Encoder 2: WS Lin Encoder 3: WS Curve Encoder 4: WS Damp Encoder 5: WS Depth Encoder 6: WS Period Encoder 7: Dry/Wet Encoder 8: not assigned *Best-of Bank* Encoder 1: Drive Encoder 2: Curve Type Encoder 3: Base Encoder 4: Frequency Encoder 5: Width Encoder 6: Depth Encoder 7: Output Encoder 8: Dry/Wet Divider.tif *Simple Delay* Encoder 1: Delay Time L Encoder 2: Swing % L Encoder 3: Time (ms) L Encoder 4: Delay Time R Encoder 5: Swing % R Encoder 6: Time (ms) R Encoder 7: Feedback Encoder 8: Dry/Wet Divider.tif *Utility* Encoder 1: Width Encoder 2: Block DC Encoder 3: Phase Invert L Encoder 4: Phase Invert R Encoder 5: Channel Mode Encoder 6: Panorama Encoder 7: Mute On/Off Encoder 8: Gain Divider.tif *Vinyl Distortion* Encoder 1: Tracing Frequency Encoder 2: Tracing Bandwidth Encoder 3: Tracing Drive Encoder 4: Crackle Density Encoder 5: Pinch Frequency Encoder 6: Pinch Bandwidth Encoder 7: Pinch Drive Encoder 8: Crackle Volume Divider.tif *Vocoder* *Bank 1: Global Controls* Encoder 1: Formant Shift Encoder 2: Attack Encoder 3: Release Encoder 4: Mono/Stereo Encoder 5: Output Level Encoder 6: Gate Threshold Encoder 7: Depth Encoder 8: Dry/Wet *Bank 2: Filters/Voicing* Encoder 1: Bandwidth Encoder 2: High Frequency Encoder 3: Low Frequency Encoder 4: Precise/Retro Encoder 5: Unvoiced Level Encoder 6: Unvoiced Sensitivity Encoder 7: Unvoiced Switch Rate Encoder 8: Enhance Carrier *Bank 3: Carrier Parameters* Encoder 1: Noise Rate Encoder 2: Noise Crackle Encoder 3: Upper Pitch Detection Encoder 4: Lower Pitch Detection Encoder 5: Oscillator Pitch Encoder 6: Oscillator Waveform Encoder 7: Ext. In Gain Encoder 8: not assigned *Best-of Bank* Encoder 1: Formant Shift Encoder 2: Attack Encoder 3: Release Encoder 4: Unvoiced Level Encoder 5: Gate Threshold Encoder 6: Bandwidth Encoder 7: Depth Encoder 8: Dry/Wet $Comment Status: Translate